My darling, I’m waiting for you – how long is a day in the dark, or a week?
the fire is gone now, and I’m horribly cold. I really ought to drag myself outside but then there would be the sun…
I’m afraid I waste the light on the paintings and on writing these words…
We die, we die rich with lovers and tribes, tastes we have swallowed…
…bodies we have entered and swum up like rivers, fears we have hidden in like this wretched cave…
…I want all this marked on my body.We are the real countries, not the boundaries drawn on maps with the names of powerful men…
…I know you will come and carry me out into the palace of winds, the rumors of water… That’s all I’ve wanted –to walk in such a place with you, with friends, on earth without maps.The lamp’s gone out and I’m writing in the darkness…
Really a hectic day!But only Yann Tiersen,a french guy,stopped me working to listen music in such afternoon.With shinning accordion,fleet violin,springy toy piano, I was deeply moved,just sitting on the windowsill,but running wild to the sunset.
《La Valse Des Monstres》,野兽的华尔兹。不懂法文,若译文准确,1995年,出道伊始的Yann Tiersen仿佛已洞悉其生。那时候的他,多么年轻。
Yann Tiersen,扬名于《Amelie From Montmartre》的电影原声,而后为《Good Bye Lenin! 》创作的配乐同样出色。《La Valse Des Monstres》,正是Yann Tiersen的第一张专辑。1995年,25岁。
如此狂野奔腾,如此欢畅自由。Darling,你可知,其中的速度与力量。跑起来吧,show your muscle,show your energy,show your power,and,run to bridge,run to me,run to tomorrow,run to the wild life。